Drawing the human figure has long been considered an indispensable exercise in the classical skill curriculum. A Humanist interpretation of composition, proportion, form, light and tone can be considered to begin with our anatomy; almost all treatises beginning with Vitruvius reference the parallel between pleasing design and the idealized human form. Instructed by Lizzi Connaugton, this workshop will lead participants through various exercises, working with a live model in short and long poses.